Tulsa

Bountiful Ballet Footnotes Unmasked, Part 1: Tulsa Ballet Revives ‘Tchaikovsky: The Man Behind the Music’ this weekend

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By Glenda Rice Collins

Tulsa, Okla., USA – Just three years ago, in March 2020, as the COVID 19 pandemic lockdown went into full effect, Tulsa Ballet employees geared up to make and widely share much-needed health-protective (and scarce) masks made from humanitarian efforts in their costume department.

Now, following recently dazzling 2022-23 season world premieres of unmasked, seductive Carmen and elaborately-staged Cinderella productions, Tulsa Ballet artistic director Marcello Angelini brings us Ma Cong‘s poignant and beautiful masterpiece, Tchaikovsky, the Man Behind the Music, March 23-26 at the Tulsa Performing Arts Center.

Cong’s brilliant-tribute ballet made its World Premiere just four years ago on March 29, 2019 here. the performance then called “…simply, a triumph,” by the Tulsa World, just a year before the pandemic lockdown. Creative genius now prevails once again!

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The Frida Effect: Final Days at Philbrook for Kahlo-Rivera Mexican Modernism exhibits

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*Community Dialogue Opportunity Scheduled for September 10:

How Frida Taught us to Paint Our Realities — Details follow.

By Glenda Rice Collins (Updated September 2, 2022)

Tulsa, Okla., USA — Last call: FRIDA KAHLO, DIEGO RIVERA, AND MEXICAN MODERNISM continues through September 11, 2022 at Philbrook Museum of Art, featuring: exemplary originals of iconic Frida’s paintings, videos of her beloved Casa Azul residence, and garden (as shown in banner image above), examples of her authentic, heritage-inspired attire, wall-sized reproductions of Rivera’s famed murals, and the couple’s unique Mexican garden-inspired influences visible throughout Philbrook’s vast gardens this summer.

The Philbrook gardens currently bloom with Frida Kahlo and Diego Rivera-inspired plantings, and quotes. Photo by Glenda Rice Collins.

Born into a privileged Mexican lifestyle, the well-educated Frida Kahlo studied to be a doctor, but suffered severe injuries and life-long pain from a traffic accident in her youth, becoming broken, at times bedridden, and yet determined to express herself through her groundbreaking paintings, activism and political involvements. (See also: https://glendaricecollins.com/2019/10/11/the-art-of-recovery-part-ii-inspiration-from-frida-kahlos-garden-path/).

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VIP’s add Drama to Tulsa Opera Red Carpet Salome Debut

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By Glenda Rice Collins

Tulsa, Okla., USA – A “sold-out” special gathering of Tulsa Opera VIP’s became part of the dazzling staged drama last night at the Tulsa Performing Arts Center, as Richard Strauss’s Salome was celebrated on the Chapman Music Hall stage, as never before! 

For director, set and costume designer Thaddeus Strassberger, this event marked both a debut, and a grand triumph, as sets, characters, musicians and special effects heralded outstanding visionary creativity with an immersive audience experience extraordinaire. Bravo!

Salome, starring Julia Mintzer in her Tulsa Opera debut,  continues with a Sunday matinee, May 1 at 2:30 p.m., with impressive lobby festivities beginning at 1:50 p.m.

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OKC Lyric Theatre Homecoming Performances Continue with ‘Head Over Heels’ Hijinks

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By Glenda Rice Collins

Oklahoma City, Okla., USA — From a high-profile, expanded American Indian-themed outdoor Distant Thunder world premiere to a current COVID pandemic-delayed homecoming return to the indoor Plaza Theater, Lyric Theatre of Oklahoma continues to celebrate dramatic diversity with the ongoing Head Over Heels musical production, continuing through April 30, 2022.

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Ballet: Where Have all the Tutus Gone?

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By Glenda Rice Collins

Oklahoma City, Okla., USA – Oklahoma City Ballet’s recent Future Voices choreographic showcase world premieres responded to familiar pop music history, as well as the classics, for inspiration.

The short, dramatic works were inspired by such themes as: sudden death, Analog Form, and jukebox memories, all in contemporary mode, up-close and personal in the same studio where they rehearse – the Inasmuch Foundation Theater at their home base. –Has spare costuming created a ‘tutu dilemma?’ 

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Oklahoma City Ballet, at 50, spins ‘Future Voices’ this week at Inasmuch Theatre

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By Glenda Rice Collins

Oklahoma City, Okla., USA — Oklahoma City Ballet’s upcoming Future Voices public performances, March 17-20, 2022, will showcase inspired new work from talented young choreographers, “up close” in the 190-seat Inasmuch Foundation Theater at the Susan E. Brackett Dance Center, the company’s architecturally-noteworthy Classen Blvd. headquarters.

The showcased new works provide a transitional program in which to reflect on recent contemporary ballet premieres, current company progress, and preparations to contrast and celebrate a few iconic classics soon across Oklahoma this spring. —A Unique Opportunity for Choreographic Study continues! Continue reading →

Madama Butterfly soars; Debuts & Premieres continue for Tulsa Opera

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By Glenda Rice Collins

Tulsa, Okla. USA–Contemporary updates to set designs and lighting brought enhanced relevance to the timeless story of commitment and deceit contained within the 1904 Giacomo Puccini opera classic, Madama Butterfly, and its sumptuous score.  A stellar cast, with several Tulsa Opera debuts, prevailed at the Tulsa Performing Arts Center last weekend. 

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Dance in 2020: Consider the Culture; The medium is the massage

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By Glenda Rice Collins, Updated 1-3-20

Bartlesville, Okla., USA — As media and culture analyst, author Marshall McLuhan said decades ago, “The medium is the massage…it does something to people. It takes hold of them. It rubs them off, it massages them and bumps them around, chiropractically, as it were…The poet, the artist, the sleuth – whoever sharpens our perception tends to be antisocial; rarely “well-adjusted,” he cannot go along with currents and trends…There is absolutely no inevitability as long as there is a willingness to contemplate what is happening.”  Continue reading →

Review: From Athens to Tulsa Opera, Turandot endures; ends here today

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By Glenda Rice Collins

Tulsa, Okla., USA — Bursting with passion, lust and torture, magnetic characters, and centered in an exotic, fairy-tale setting in Peking legendary times, Tulsa Opera’s 2:30 p.m. Sunday matinee, April 29th presentation of Puccini’s Turandot at the Tulsa Performing Arts Center marks the final main stage production of the company’s impressive 70th Anniversary Season. Continue reading →

Review: Tulsa Ballet Dazzles with Strictly Gershwin U.S. Premiere & More

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By Glenda Rice Collins     Updated 2-14-18  

TULSA, Okla.  USA — This past weekend’s North American premiere of Derek Deane’s Strictly Gershwin ballet extravaganza, presented by Tulsa Ballet, proved to be a fitting and well-received  homage to the genius and versatility of  American composer George Gershwin and the staying-power of his music.    Continue reading →