Crystal Bridges Museum at 15: As expansion fuels more synergy & June 6-7 Celebrations — You Belong Here!

By Glenda Rice Collins

Now: Expansion Opening special events take place June 6 & 7, from 10 a.m. to 4 p.m. — You’re Invited!

On Scene: Safdie Architects-designed expansion to add 114,000 square feet of new galleries, educational spaces, and more — Read on for Photo and Video highlights!

Bentonville, Ark., USA — Being close to the age of gifted philanthropist and Crystal Bridges Museum of American Art (CB) “woman of the heart” founder Alice Walton; and the world-renowned, globally-celebrated Israeli CB architect Moshe Safdie, life experience plays an important role in my ongoing inspiration to capture the essence of the truly extraordinary, –in my photos and in print. I am also a long-term, art-focused woman of the heart, recovering from inevitable temporary health setbacks!

My happy place of healing & wellness

Having taken a recent, nearly two-year leave-of-absence from my journalistic endeavors, — due to long Covid manifestations and two recent major surgeries — I returned on May 29, with unbridled enthusiasm, for an invited news media preview of this “State of the Art” scene, which now fully embraces my own “whole health” priorities and concepts even more, with Alice Walton’s awesome vision. I’m fully in tune with the overarching Crystal Bridges motto: “You Belong Here.

Read more: Crystal Bridges Museum at 15: As expansion fuels more synergy & June 6-7 Celebrations — You Belong Here!

Phenomenal Progress

Phenomenal CB progress — fueled by Ms. Walton’s own passions, patronage and health concerns; and by architect Safdie’s inspiring, humane designs — now takes center-stage featuring a vast doubling of “happy place” art exhibition space, in an impressively compatible bridge-connected expansion which officially opens June 6.

There is much more to celebrate campus-wide in this art museum’s 15th year!

Examples of extraordinary growth in a multitude of significant ways, produces pleasantly explosive currently trending synergy, and according to Ms. Walton in a PBS interview, “…a collision” of art and medical training that now includes the influence of the new on-site Heartland Whole Health Institute, (HWHI) and the Alice L. Walton School of Medicine (AWSOM)–Awesome!

Expansive Images & Videos

The following images & short videos from last week’s well-attended invited news media Preview will help share the ongoing excitement of this weekend’s multiple CB openings and celebration, starting Today!, — which includes the Keith Haring in 3D exhibition, in newly-expanded gallery space (more about that in a separate news feature coming soon to this website).

Members of the invited press corps are escorted through newly-expanded art exhibitions space, opening June 6 at Crystal Bridges Museum. Executive director Rod Bigelow, and Jen Padgett, Windgate Curator of Craft, led portions of the May 29 preview tour. Photos by Glenda Rice Collins.

PR coordinator Jaslynn Dorsey assisted invited news media on May 29, for a preview tour of expanded space at Crystal Bridges Museum of American Art. Photo by Glenda Rice Collins.

Video by Glenda Rice Collins.
This expansion view, near the new Quartz+Honey Cafe, shows a temporary structure built over a splash pad, at near left, utilized for a May 30 gala, reportedly attended by arts patrons President Bill Clinton and Secretary Hillary Clinton. Mer Wilder, at right, seated with a Crystal Bridges tour guide, represents Visit Bentonville.
Photo by Glenda Rice Collins.
News media visitor Jasmine Hudson, represents Black Owned Northwest Arkansas, BLACKOWNEDNWA.ORG.
Photo by Glenda Rice Collins.
KNWA was also on scene for the well-attended May 29 national news media preview of celebrated expanded arts exhibition space at Crystal Bridges Museum of American Art. Photo by Glenda Rice Collins.
Jordan Poorman Cocker, curator of Indigenous art and NAGPRA officer at Crystal Bridges Museum, addresses the news media during a May 29 preview tour. Video by Glenda Rice Collins.
Emma Claybrook, head of PR and Communications, visits with national news media representatives at Crystal Bridges Museum of American Art on May 29, during a preview of vastly expanded art exhibition space.. Photo by Glenda Rice Collins.
Crystal Bridges Museum of American Art executive director Rod Bigelow, and Jen Padgett, Windgate Curator of Craft, guided guests through portions of the news media museum expansion preview May 29. The public is invited to attend the opening celebration special events, June 6-7, 10 a.m. to 4 p.m. Admission to the art museum, and scenic trails, is always free.
Members of the invited press corps toured the posthumous Keith Haring in 3D exhibition, which opens June 6, 2026, in a new portion of the major new expansion of exhibition space at Crystal Bridges Museum of American Art, in Bentonville, Arkansas, during a May 29 preview tour. Photo by Glenda Rice Collins.
The Hub, opening June 6, invites Crystal Bridges Museum visitors to connect with artists and art lovers as part of the “Walmart for Good Community Lounge” which reflects the mission of a widespread access- and wellness-focused campus grown into a village, –which includes the new, non-profit Heartland Whole Health Institute, founded by Alice Walton; and the new Alice L. Walton School of Medicine, focused on wellness, on grounds nearby.
Photo by Glenda Rice Collins.
May 29 view of an invited news media preview tour of Moshe Safdie’s newest architectural connection bridge and surrounds, designed to expand exhibition and socialization space at Crystal Bridges Museum of American Art. The expansion area opens to the public June 6, with opening celebration weekend events, music, dance & more, June 6-7, from 10 a.m. to 4 p.m. Museum admission is always free.
Photo by Glenda Rice Collins.

Welcome: It’s All About Access…for All

“We’re excited to welcome everyone to the Crystal Bridges expansion,” said Rod Bigelow, executive director of Crystal Bridges. “This project represents an extraordinary undertaking for the museum, not only expanding our physical space, but shaping a renewed campus where architecture and nature work in close dialogue. We have carefully moved, stewarded, and reinstalled nearly every work of art in our collection with intention and care. At its core, this expansion is about deepening our mission of access—ensuring that more people, from our local community to visitors across the country, can experience American art in more engaging and lively ways. It’s incredibly rewarding to see this vision come to life, and we look forward to sharing it with all who visit.” 

As Alice Walton proclaimed and verified at the sold-out May 29 “By Design: A Conversation on the Crystal Bridges Expansion” special event in the ballroom of the new Heartland Whole Health Institute, “At Crystal Bridges its all about access…for everyone!”

Just a few weeks ago, in that same HWHI ballroom, Crystal Bridges board chairman Olivia Walton, a well-seasoned and articulate journalist herself, hosted SCOTUS associate justice Amy Coney Barrett for another sold-out event, as part of the new “Building Bridges” series, usually live-streamed on Arkansas TV. In that April setting, Bigelow credited Olivia Walton as being “…the one responsible for a lot of what’s possible here.”

As part of Crystal Bridges’ year-long celebration of America at 250, the Building Bridges series honors the American spirit of meeting in the middle with curiosity, courage, and care. “I see myself as the nanny,” said Olivia, the Building Bridges host, regarding Alice’s many special projects “children.”

Leadership

A powerful participant for skilled leadership teamwork, Olivia presides with aplomb as the series brings together thought leaders, artists, and thinkers with differing perspectives to model civic dialogue and the power of meaningful questions.

“Crystal Bridges has always been rooted in the belief that art can expand how we see ourselves, one another, and the world around us,” she has said.. “This next chapter deepens that vision—creating spaces that invite curiosity, creativity, and connection at every turn. By bringing art, architecture, nature, wellness, and education into closer dialogue across the campus, we are continuing to push the boundaries of what a cultural institution can be. The expansion not only broadens access to extraordinary works of American art, but also strengthens the museum’s role as a place where people can gather, learn, reflect, and experience the transformative power of art in community.” 

But that’s another set of ever-evolving stories, and with more quotes to share later in additional news features to come on this website.

Unique Architectural Influence

“The inauguration of this second phase marks the culmination of a two-decade collaboration—an evolving dialogue between architect, patron, and institution—that has shaped not only a building, but a shared vision for what a museum can be. Beyond broadening its program, the expansion extends and deepens the museum’s connection to nature—embedding new spaces for community, learning, and the display of art within an architectural language shaped by the region’s terrain,” said Moshe Safdie, founding partner of Safdie Architects. “We have been delighted by the public’s response to the integration of art and nature and look forward to visitors experiencing the expanded museum.”  

America’s Art Museum

Crystal Bridges Museum, it appears, served as “the spark” for inspiring the synergy needed for expansive quality-of-life enhancement and the positive cultural developments that Safdie’s architecture is known to inspire.

Now billed as “America’s Art Museum” the original campus influence has expanded into a community village of both hospitality and wellness themes, –setting a very high standard by raising the bar with strong muscles indeed — celebrating masterfully art- and nature-focused architecture once again, repeatedly inspired by the made-in-Heaven duet of founder Alice Walton and design-master Safdie, (b. 1938) –the only architect she trusted to complete the current expansion.

Many more focused news feature articles are yet to come, indeed, amidst a swirl of related ongoing developments here!

Additional news features related to Crystal Bridges Museum of American Art and The Momentary may be viewed on this website at:

glendaricecollins.com.

Banner photo, Keith Haring’s World, by Glenda Rice Collins.

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‘SoNA Beyond’ Concerts continue following ‘Exquisite Transformations’ at Crystal Bridges museum; Siloam Springs venue next!

By Glenda Rice Collins — Updated July 21, 2024.

Upcoming event July 23: A free SoNA Beyond Carnival of the Animals concert in Siloam Springs, Ark.

Bentonville, Ark. —  Themes of Creativity, Beauty in Nature, Music, Dance & Diversity mingle as record-breaking crowds of mesmerized attendees continue to experience the ongoing “Exquisite Creatures” exhibition at Crystal Bridges Museum of American Art, through July 29. The related transformative powers of music were masterfully expressed during the recent Symphony of Northwest Arkansas (SoNA) SoNA Beyond Exquisite Transformations” concert in the museum’s Great Hall.

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STARSTRUCK at OKCMOA: ‘Edith Head: Hollywood’s Costume Designer’ exhibition continues with Gossip Tours & Films

Related events: Gossip Tours scheduled for July 20 & September 14. New showtime added for July 20 “Vertigo” film feature.

By Glenda Rice Collins

Oklahoma City, Okla., USA — Highlighting Edith Head’s rule over Paramount and Universal Studios’ costume departments for decades, the much-anticipated exhibition “Edith Head: Hollywood’s Costume Designer” at the Oklahoma City Museum of Art provides a unique venue for revisiting many memorable movie moments from the past through often elaborate costume designs, videos, gossip tours and a featured films series. Organized by OKCMOA and presented by The Ann Lacy Foundation, this unique exhibition will not travel beyond Oklahoma City.

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Philbrook REVIEW: Blooms Beckon while Surprises Intervene

From Art in Bloom to The Leap into The Sun & a Nick Cage Soundsuit the Unexpected Awaits

By Glenda Rice Collins (Updated April 14, 2024)

Tulsa, Okla., USA — Last Weekend’s Art in Bloom at Philbrook Museum of Art served as the appetizer to a feast of an ever-inspiring array of eye candy and surprises as visitors stroll through the stately old mansion and reserve time for the resplendent formal gardens outdoors. The recent extravaganza of indoor blooms served to whet the appetite for current events NOW!

TODAY: ¡Descubra!: Celebrating Cultural Identities

Sunday, April 14
1:00pm – 5:00pm
FREE!*
*Capacity is limited. Advance tickets are highly recommended. View Events Details at: https://philbrook.org/calendar/descubra-celebrating-cultural-identities-2024-04-14/ Today celebrates the ongoing special exhibition Collidoscope: de la Torre Brothers Retro-Perspective Continuing through April 25

Collidoscope: de la Torre Brothers Retro-Perspective—a title that plays with the words “kaleidoscope” and “retrospective”—features dozens of colorful multi-media blown-glass objects and elaborately framed lenticular prints that span the spectacular, genre-defying careers of artists and brothers Einar and Jamex de la Torre. Born in Guadalajara, Mexico (1963 and 1960, respectively), Einar and Jamex de la Torre have for decades lived, worked, and collaborated on both sides of the San Diego/Tijuana border. 

Surprises Intervene!

As I ventured into Philbrook last Sunday to catch a view of the temporary creative display of blossoms indoors, I was stopped in my ever-rushing footsteps to ponder some surprising and unexpected visual delights as I entered the first familiar gallery located on the indoor blooms-exhibit pathway.

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On Collaboration: Preston Singletary ‘in his own words’ at Oklahoma City Museum of Art

Raven and the Box of Daylight continues through April 28, 2024

By Glenda Rice Collins

Oklahoma City, OK, USA — At a recent Oklahoma City Museum of Art news media preview, multi-media artist, diligent glass designer and evocative contemporary musician Preston Singletary responded to my questions by giving enthusiastic credit to the importance and power of COLLABORATION! (Videos follow).– His dazzling Raven and the Box of Daylight immersive exhibition opened here November 11.

The same day, Singletary was featured during the innovative Native Sound Summit at the First Americans Museum and in a public, evening discussion with Dr. Miranda Belarde-Lewis during the intermission of his 10-piece band’s, Khu.éex’ Performance presentation.

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Review: “Diego Rivera’s America” enriched by recent SoNA concert at Crystal Bridges museum

By Glenda Rice Collins

Bentonville, Ark., USA — Masterfully curated by award-winning Mexican conductor and educator Felipe Tristán to evoke themes from Diego Rivera’s “quintessential nationalist style,” the Symphony of Northwest Arkansas (SoNA), under the baton of SoNA music director Paul Haas, presented the recent, impressive concert collaborative, I Paint What I See, featuring diverse music by six distinguished Mexican composers who represent a contrasting variety of significant styles and evolving themes found in Mexican classical music. Bravo!

The June 30 evening concert took place in the scenic Great Hall of the Crystal Bridges Museum of American Art, where the Diego Rivera’s America exhibition continues through July 31, 2023.

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REVIEW: Contemporary Dance Oklahoma brings music to life in ‘electric’ Carmina Burana; Norman Phil & OMTA Up Next

By Glenda Rice Collins

Norman, Okla., USA — Powered by  a 160-voice chorus, 40 exuberant members of Contemporary Dance Oklahoma, a chamber orchestra with two concert grand pianos, and University of Oklahoma School of Music distinguished faculty soloists:
Lori Ernest, soprano, Joel Burcham, tenor and Leslie Flanagan, bass-baritone, Carl Orff’s Carmina Burana spectacular soared to new heights with extraordinary synergy at the Paul F. Sharp Concert Hall at OU’s Catlett Music Center April 28. Bravo!!!

UP NEXT, June 1, the Norman Philharmonic presents a concert of “sublime music” by Beethoven and Mozart, in conjunction with the Oklahoma Music Teachers Association (OMTA) State Conference, June 2 – 3, 2023: “Music for Life,” at Catlett Music Center in the OU Arts District. Pre-registration deadline is May 24. Details follow later in this Review.

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Adjmi’s Marie Antoinette Dazzles at OU with Contemporary Flair

By Glenda Rice Collins

Norman, Okla., USA — Portraying the iconic royal who was “…not raised, but built to be this thing,” Elyssa Armenta mesmerizes with details of Marie’s teenage marriage into the realms of whimsical 1770’s-1790’s French customs and expectations, in David Adjmi’s contemporary spin on history, as his Marie Antoinette continues this weekend at the University of Oklahoma. Evan Wolfe uniquely captures the essence of the somewhat befuddled, and sexually reluctant Louis XVI, as final OU University Theatre performances evolve April 27 – 29 at 8 p.m. and April 30 at 3 p.m. in the Weitzenhoffer Theatre, 563 Elm Ave. in the OU Arts District.

At-home viewing will be available with video-on-demand. To learn more and to purchase tickets please visit www.ou.edu/finearts/universitytheatre

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On Scene at OU: Oklahoma Festival Ballet, from early Balanchine to Yanowsky’s ‘Train of Thought,’ a tribute to Hope — Stellar musicians and vocals featured on program

By Glenda Rice Collins

Norman, Okla., USA — A uniquely fulfilling opportunity to compare the early works of both New York City Ballet choreographic icons George Balanchine and Jerome Robbins continues on stage at the Donald W. Reynolds Performing Arts Center this weekend at the University of Oklahoma, with final Oklahoma Festival Ballet performances at 8 P.M. April 7, and 3 p.m., Saturday, April 8. Performances will be held in the Elsie C. Brackett Theatre, 563 Elm Ave., on the OU Norman campus.

This production, like a breath of springtime, is suitable for all audiences.

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Bountiful Ballet Footnotes Unmasked, Part 1: Tulsa Ballet Revives ‘Tchaikovsky: The Man Behind the Music’ this weekend

By Glenda Rice Collins

Tulsa, Okla., USA – Just three years ago, in March 2020, as the COVID 19 pandemic lockdown went into full effect, Tulsa Ballet employees geared up to make and widely share much-needed health-protective (and scarce) masks made from humanitarian efforts in their costume department.

Now, following recently dazzling 2022-23 season world premieres of unmasked, seductive Carmen and elaborately-staged Cinderella productions, Tulsa Ballet artistic director Marcello Angelini brings us Ma Cong‘s poignant and beautiful masterpiece, Tchaikovsky, the Man Behind the Music, March 23-26 at the Tulsa Performing Arts Center.

Cong’s brilliant-tribute ballet made its World Premiere just four years ago on March 29, 2019 here. the performance then called “…simply, a triumph,” by the Tulsa World, just a year before the pandemic lockdown. Creative genius now prevails once again!

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