Norman, Okla., USA — Portraying the iconic royal who was “…not raised, but built to be this thing,” Elyssa Armenta mesmerizes with details of Marie’s teenage marriage into the realms of whimsical 1770’s-1790’s French customs and expectations, in David Adjmi’s contemporary spin on history, as his Marie Antoinette continues this weekend at the University of Oklahoma. Evan Wolfe uniquely captures the essence of the somewhat befuddled, and sexually reluctant Louis XVI, as final OU University Theatre performances evolve April 27 – 29 at 8 p.m. and April 30 at 3 p.m. in the Weitzenhoffer Theatre, 563 Elm Ave. in the OU Arts District.
Norman, Okla., USA — A uniquely fulfilling opportunity to compare the early works of both New York City Ballet choreographic icons George Balanchine and Jerome Robbins continues on stage at the Donald W. Reynolds Performing Arts Center this weekend at the University of Oklahoma, with final Oklahoma Festival Ballet performances at 8 P.M. April 7, and 3 p.m., Saturday, April 8. Performances will be held in the Elsie C. Brackett Theatre, 563 Elm Ave., on the OU Norman campus.
This production, like a breath of springtime, is suitable for all audiences.
Tulsa, Okla., USA – Just three years ago, in March 2020, as the COVID 19 pandemic lockdown went into full effect, Tulsa Ballet employees geared up to make and widely share much-needed health-protective (and scarce) masks made from humanitarian efforts in their costume department.
Now, following recently dazzling 2022-23 season world premieres of unmasked, seductive Carmen and elaborately-staged Cinderella productions, Tulsa Ballet artistic director Marcello Angelini brings us Ma Cong‘s poignant and beautiful masterpiece, Tchaikovsky, the Man Behind the Music, March 23-26 at the Tulsa Performing Arts Center.
Cong’s brilliant-tribute ballet made its World Premiere just four years ago on March 29, 2019 here. the performance then called “…simply, a triumph,” by the Tulsa World, just a year before the pandemic lockdown. Creative genius now prevails once again!
*Community Dialogue Opportunity Scheduled for September 10:
How Frida Taught us to Paint Our Realities — Details follow.
By Glenda Rice Collins (Updated September 2, 2022)
Tulsa, Okla., USA — Last call: FRIDA KAHLO, DIEGO RIVERA, AND MEXICAN MODERNISM continues through September 11, 2022 at Philbrook Museum of Art, featuring: exemplary originals of iconic Frida’s paintings, videos of her beloved Casa Azul residence, and garden (as shown in banner image above), examples of her authentic, heritage-inspired attire, wall-sized reproductions of Rivera’s famed murals, and the couple’s unique Mexican garden-inspired influences visible throughout Philbrook’s vast gardens this summer.
Oklahoma City, Okla., USA — From a high-profile, expanded American Indian-themed outdoor Distant Thunder world premiere to a current COVID pandemic-delayed homecoming return to the indoor Plaza Theater, Lyric Theatre of Oklahoma continues to celebrate dramatic diversity with the ongoing Head Over Heels musical production, continuing through April 30, 2022.
Compiled by Glenda Rice Collins — Updated April 7, 2022
Community Celebration at Scissortail Park to feature lighted hot air balloons and drones!
Oklahoma City, Okla. USA–In conjunction with the currently engaging GLOW interactive, lighted exhibition (continuing through April 10) Allied Arts and Inasmuch Foundation will present a community celebration on Friday, April 8, 7 – 11 p.m. at Scissortail Park, –featuring: a hot air balloon night glow, a synchronized drone light show, glow-in-the-dark art from local makers, live performances, music, food trucks and more. The event is free and open to all ages.
Oklahoma City, Okla., USA – Oklahoma City Ballet’s recent Future Voiceschoreographic showcase world premieres responded to familiar pop music history, as well as the classics, for inspiration.
The short, dramatic works were inspired by such themes as: sudden death, Analog Form, and jukebox memories, all in contemporary mode, up-close and personal in the same studio where they rehearse – the Inasmuch Foundation Theater at their home base. –Has spare costuming created a ‘tutu dilemma?’
Oklahoma City, Okla., USA — Oklahoma City Ballet’s upcoming Future Voices public performances, March 17-20, 2022, will showcase inspired new work from talented young choreographers, “up close” in the 190-seat Inasmuch Foundation Theater at the Susan E. Brackett Dance Center, the company’s architecturally-noteworthy Classen Blvd. headquarters.
The showcased new works provide a transitional program in which to reflect on recent contemporary ballet premieres, current company progress, and preparations to contrast and celebrate a few iconic classics soon across Oklahoma this spring. —A Unique Opportunity for Choreographic Study continues!Continue reading →
By Glenda Rice Collins, For Bartlesville Magazine, Spring 2020* Updated 3-18-20
Bartlesville, Okla., USA — Last September, musical theatre ‘triple-threat’ performer Kennedy Caughell stepped into a major leading role as the star of the current Broadway North American touring production of the “Tony,” “Grammy” and Olivier Award-winning production, Beautiful: The Carole King Musical. Next came hometown ovations! Continue reading →
By Glenda Rice Collins, For Bartlesville Magazine, Winter 2020.* Updated 3-18-20.
Bartlesville, Okla., USA– “Part of the worldwide availability of service that comes with being a diplomat is being able to adapt to new scenarios, to quickly learn new skills, and to work with all kinds of people. These are all things I first learned from CMT.” —Clint Shoemake, foreign service officer at U. S. Department of State. Continue reading →