Crystal Bridges debuts The Momentary, Part II; with ‘Nick Cave: Until’

By Glenda Rice Collins  (Last updated September 20, 2020)

Bentonville, Ark., USA — During a Zoom virtual news media preview discussion Thursday, installation and performance artist Nick Cave, of Soundsuit fame, shared that ”It was not until Michael Brown (2014 fatal shooting victim in Ferguson, Missouri) happened,” that the catalyst for Nick Cave: Until ignited in his mind with the thoughts, “Is there racism in heaven?…and how do we get to heaven? …I threw it to the universe…during a time of transition.” 

Organized by MASS MoCA, the largest and most ambitious project yet from the renowned visionary. opened Saturday at The Momentary, continuing through January 3, 2021, free, with no tickets required. The title Until references the phrase “innocent until proven guilty,” or, a reversal, “guilty until proven innocent,” also addressing gender, race, and gun violence issues in America.

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Broadway Star Kennedy Caughell, on tour, shares her ‘Beautiful…’ views

By Glenda Rice Collins, For Bartlesville Magazine, Spring 2020*  Updated 3-18-20

Bartlesville, Okla., USA — Last September, musical theatre ‘triple-threat’ performer Kennedy Caughell stepped into a major leading role as the star of the current Broadway North American touring production of the “Tony,” “Grammy” and Olivier Award-winning production, Beautiful: The Carole King Musical.  Next came hometown ovations! Continue reading

Children’s Musical Theatre of Bartlesville celebrates 20th Year

By Glenda Rice Collins, For Bartlesville Magazine, Winter 2020.*  Updated 3-18-20.

Bartlesville, Okla., USA– “Part of the worldwide availability of service that comes with being a diplomat is being able to adapt to new scenarios, to quickly learn new skills, and to work with all kinds of people. These are all things I first learned from CMT.”Clint Shoemake, foreign service officer at U. S. Department of State. Continue reading

Madama Butterfly soars; Debuts & Premieres continue for Tulsa Opera

By Glenda Rice Collins

Tulsa, Okla. USA–Contemporary updates to set designs and lighting brought enhanced relevance to the timeless story of commitment and deceit contained within the 1904 Giacomo Puccini opera classic, Madama Butterfly, and its sumptuous score.  A stellar cast, with several Tulsa Opera debuts, prevailed at the Tulsa Performing Arts Center last weekend. 

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Crystal Bridges debuts The Momentary, Part I: Political Themes Anew

By Glenda Rice Collins       (Updated February 28, 2020)

Bentonville, Arkansas, USA — While a continuing celebration of community and diversity Lauren with artswirled around Crystal Bridges Museum of American Art (CB) last weekend, as The Momentary, a new satellite museum venue for contemporary art debuted, –political themes loomed large within State of the Art 2020, the new venue’s inaugural exhibition, currently housed within both CB museum locations.  Time Being named the theme for diverse performances at the newly re-purposed Kraft cheese factory, located near the popular 8th Street Market food hub, hangout destination. The synergy now expands!

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Courting Death: From Lorca’s Blood Wedding drama to Mills’ Romeo & Juliet ballet

By Glenda Rice Collins      (Updated 2-20-20)

Oklahoma City, Okla. USA — From the recent production of Federico Garcia Lorca’s Spanish classic, Blood Wedding, at the University of Oklahoma (OU) arts district in Norman –(see a related 2-13-20 article, Renegades…, on this website) –to last weekend’s Oklahoma City Ballet staging of William Shakespeare’s tragic Romeo & Juliet love story at Civic Center Music Hall, reminders loom forth of the fragility of life, and how frequently death is courted as the permanent solution to a temporary situation. Continue reading

Renegades: From Bruce Goff to Sondheim & Lorca 2020

Renegades 2020

Fred Jones Jr. Museum of Art, University of Oklahoma, Norman

By Glenda Rice Collins    (Updated 2-16-20)

Norman, Okla. — Definitions of ‘renegade’ run the gamut from rebel, traitor, and betrayer to the more appropriate concepts for my recent University of Oklahoma arts district observations: revolutionary, radical, and runaway, to define artists, architects, and dramatists, along with musical theater themes and characters.  Continue reading

Dance in 2020: Consider the Culture; The medium is the massage

By Glenda Rice Collins, Updated 1-3-20

Bartlesville, Okla., USA — As media and culture analyst, author Marshall McLuhan said decades ago, “The medium is the massage…it does something to people. It takes hold of them. It rubs them off, it massages them and bumps them around, chiropractically, as it were…The poet, the artist, the sleuth – whoever sharpens our perception tends to be antisocial; rarely “well-adjusted,” he cannot go along with currents and trends…There is absolutely no inevitability as long as there is a willingness to contemplate what is happening.”  Continue reading

The Art of Recovery, Part II: Inspiration from Frida Kahlo’s Garden Path

By Glenda Rice Collins   (Updated October 13, 2019)

Bartlesville, Okla., USA — The journey back from illness,  physical injuries, and any of life’s temporary setbacks, can be overwhelming with new demands and limitations; or at times, uplifting, if we remember to ‘stop and smell (and perhaps re-arrange) the roses,’ despite the thorns! Frida Kahlo’s Garden, on view at the Price Tower Arts Center through October 20, 2019, provides new inspiration for a life well-lived with nature, and focus beyond pain.   Continue reading

The Art of Recovery, Part I: From the Beach to Christ Cathedral

By Glenda Rice Collins   (Updated September 27, 2019)

Bartlesville, Okla., USA — Personal injury along with physical and mental duress can derail the best of intentions for a fulfilling life. To restore a semblance of “balance,” — Get thee to a beach, and get back to the arts!  Continue reading